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Apparitions

by Chris Cleverley

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    All artwork by Laura Tinald.

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of The Centre Cannot Hold (Live), Broadcast The Secret Verse, Nausea (Radio Edit), Still Life, Chlorophyll, Live From The Glass Isle, We Sat Back and Watched it Unfold, Ring O' Bells feat. Kelly Oliver, and 1 more. , and , .

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1.
Transience 01:09
Instrumental
2.
You were all mine. You were all mine Through October to the green spring time All mine, all mine. All the way down the line From the ripple of the rustling breeze, To the lapping of the breaking seas. All mine, all mine. You were all mine. But so it seems, you’ve come to see The dawn before they day. If that’s all I should be on my way. You can find me down by the stream (If you’ve need of me that is to say). In my reveries and fleeting dreams All day. All the day. But so it seems, you’ve come to see The dawn before they day. If that’s all I should be on my way. There’s a mariner down by the quay And all washed in evening moonshine. From his lips come that ancient rhyme “she was all mine, Oh yes, all mine.” Well it’s all done now this time You couldn’t keep it together all the day. It was too tired and too weathered like they say but you’re strong; oh yes you tried. You tried. But so it seems, you’ve come to see The dawn before they day. If that’s all I should be on my way.
3.
Lesson 03:30
Won’t you tell me everything I’ve been wanting you to say? I’d like to know what you’re thinking love, at the closing of the day. And we could light a lantern in the porch to guide the way Of the ramblers like us, who’ve been lonesome and afraid. Oh we’re young, we’re tentative With a world lying in our hands. In want of words of wisdom I hope perhaps you’ll understand. I tried to keep my thoughts of you love, at my lowest points today When they sent me marching with my orders, as they handed me my pay. And a man may starve tomorrow and the debt is on my hands. And I can but think “Oh had I but been born a stronger man”. I’m young, I’ve been insensitive To the world lying in our hands. In want of words of wisdom I hope perhaps you’ll understand. Bereft of words of wisdom, darling might you understand?
4.
It’s sobering and clear man, Despite what you hear, You’ve scattered all them pieces astray. There’s tumbling and balancing And all of their intrigues There’s rambling, then losing your way. But you know how it goes Cause you’ve all been around And I suspect that’s what you’ve meant all those years, no? It’s holding on promises of rhyme and of reason, While stalling and waiting around for the seasons. And it’s tied in with thoughts of her and where she is going to And if I left as well with all my to-ings and fro-ings too To Cornwal, or Bristol Or some place equivalent, To be a missing person for now. Just a missing person. That’s all. I’m more tired than I thought, I’m more drunk than I ought to be When thinking on getting away. Well there’s one thing I’ve thought, It’s that one thing you taught to me; You must have a good enough reason to stay. And you know how it goes Cause you’ve all felt the call of the ocean Alive in your ears. It’s holding on promises of rhyme and of reason, While stalling and waiting around for the seasons. And it’s tied in with wondering “Oh where she is going to” And if I left as well with all my to-ings and fro-ings too Down to Boscastle Or even somewhere less familiar, To be a missing person for now. Just a missing person. That’s all. And for the next few days or weeks, or even a year or two A missing person for now Just a missing person. That’s all. I’m sorry friends, but until further notice I’m a missing person for now Just a missing person. That’s all.
5.
I wish I was a mole in the ground, I wish I was a mole in the ground. If I was mole in the ground, well I’d route that mountain down. I wish I was a mole in the ground. Kimpy wants a nine dollar shawl, Kimpy wants a nine dollar shawl. When I come over that hill with my forty dollar bill Baby where’ve you been so long? I’ve been in the pen so long, I’ve been in the pen so long. I’ve been in the pen so long With the rough and rowdy men Baby that’s where I’ve been so long. Well I’d never trust a railroad man, I’d never trust a railroad man. I’d never trust a railroad man Well he’d kill you where you stand And then drink up all your blood like wine. I wish I was a Lizard in the spring, I wish I was a Lizard in the spring. If I was a Lizard in the Spring, Well I’d hear my baby sing, I wish I was a Lizard in the Spring, I wish I was a mole in the ground, I wish I was a mole in the ground. If I was mole in the ground, well I’d route that mountain down. I wish I was a mole in the ground.
6.
Acetylene 03:45
Well I guess this proves you don’t get to choose, I’ve been spirited away. And slightly drawn pictures form Of all that I owe you In cold blooded, serpentine comforting. Oh I feel lost in you, all destitute And strapped and bound, And so then I prostitute myself And then this reticence abounds. All of those quiet composures Were jettisoned away. And who could know that it happens, Oh ever so accidentally? Oh well I’m lost in you, all destitute And strapped and bound and So then I prostitute myself And then this reticence abounds Oh well I’m lost in you, all destitute When you fuck and strap and I’m bound, So then I prostitute my body, morals, ethics by the pound.
7.
Apparitions 03:10
Last Night. Last night – I was making up for lost time. ‘Cause I swear, I saw her there An apparition in the half-light. An apparition in the half-light.
8.
O Shenandoah 04:32
O Shenandoah, I long to see you Roll away, you rolling river. O Shenandoah, I long to hear you Roll away, I’m bound to go. Across the wide Missouri O Shenandoah, I love your daughter Roll away, you rolling river. For her I’d cross your rolling waters Roll away, I’m bound to go. Across the wide Missouri It’s been seven long years now, since last I saw Roll away, you rolling river. It’s been seven long years now, but still I thought of you Rolling away, I’m bound to go. Across the wide Missouri O Shenandoah, I long to see you Roll away, you rolling river. O Shenandoah, I long to hear you Roll away, I’m bound to go. Across the wide Missouri
9.
I think I should be out in the sun. I feel I should be down by the shore. Well this year has proved a variety of truths And I shan’t be out searching anymore. No. So I decided to move out of town. There seemed no point in me sticking around. And the friends there had been Seemed to die with the scene, Like they’re all buried deep in the ground. Though the ghosts of sailors, they wander these halls, I’ve learned it’s best not to listen at all. ‘Cause they’ll sing all their tails of the sea and the storms And the city gates that stand ‘til the city falls. The ghosts of the past will slip in without asking To silently lead you away. So close down your windows ‘til the light of the day. She was a worthy opponent indeed. This much even I now concede. She’ll keep taking you down, yeah for round after round. Oh man – like you wouldn’t believe. But there’s a time to admit you defeat, And that surrender’s immeasurably sweet. So you’ll cheer as you stand, for the boys in the band And it’s right there man; you’re back on your feet. And Though the ghosts of sailors are trapped in these walls I’ve learned it’s best not to listen at all. ‘Cause they’ll sing all their tails of the sea and the storms And the city gates that stand ‘til the city falls. The ghosts of the past – those inglorious bastards - Will silently lead you away. So close down your windows ‘til the light of the day.
10.
The Rafters 05:17
I ring the bells up in the tower A complex array of ropes and rungs Designed to demarcate the passing hours. I long for quaint provincial flowers And savouring the cleaner air; To stare upon the birds up in the bowers. The old physician cried when I was born “What devil’s curse bestows upon this fateful morn? The Deacon must be warned! And in what blackened furnace was this infant formed?” For I’m doomed to walk along the lengths and depths Of the ramparts and the parapets ‘til this curse is lifted and I am free to die. I carve these wooden puppets for my pets. Like the jester with his marionettes I lead the lives that I have been denied. So I am the Captain Of this vessel on the South Seas And all laden down with calicos and cardamom for sale. Then on to the courts of Kings The pleasures that the courtesans do bring But always back here to my prison as I sing; I’m doomed to walk along the lengths and depths Of the ramparts and the parapets ‘til this curse is lifted and I am free to die. I carve these wooden puppets for my pets. Like the jester with his marionettes I lead the lives that I have been denied.
11.
I’m not long for this world. I’m not long for this life. And whatever unfolds, “we’ll be fine” I am told. Though I’m not long for this world. Take my books to the store And take the keys to my chest. Why don’t you take out the money And buy yourself a cottage With the back door facing the west. So the sun will set on the garden in the evening. When the swallows come home to rest. If we sweep the floor in good time, I could open my birthday wine. Oh words mean little When no more than a memory, But it doesn’t matter. I don’t mind. And this God-damn sun will set While I’m staring at the ceiling Oh I’m not long for this world. And the light will fade, This is such a strange feeling. Will you bring me another blanket ‘cause I’m cold.

about

"I never did believe in ghosts until I saw out a six month contract in a haunted house."

And so it was in this setting that Chris Cleverley's forthcoming album Apparitions was conceived.

"An album as much about hauntings as it is about memory, and the fine line that can separate the two."

For some time now, whispers have been spreading far and wide around the new British Folk Scene about Chris Cleverley and his haunting tales of ghost women, lonesome clock towers, lovelorn mariners and hospital beds.

November 2015 will see the release of Cleverley’s eagerly awaited debut full length album, which captures perfectly the roots of his singer/songwriter approach for which he has been well known in the Midlands for a number of years. The songs themselves –through the recording process - have developed however into something new altogether, appearing as full band arrangements, featuring the musicians who regularly appear in his live band, including contributions from renowned singer/songwriters Dan Whitehouse and Kim Lowings, as well as string arrangements by Marion Fleetwood of Meet On The Ledge and the Jigantics.

Chris says of the album, which features both original songs and arrangements of traditional tunes,

“The record is very much grounded in the British and American folk traditions on which I was raised. The complexity of the fingerstyle guitar techniques of the folk revival players -Nic Jones, John Renbourn, Martin Simpson - have shaped my playing immeasurably and it was essential this influence came across throughout. It’s remarkable though the direction a record can take from start to finish; such a huge variety of influences creep in, almost unnoticed. I’ve always been fascinated by harmony, big arrangements, dramatic crescendos, and the guidance of contemporary artists like Elliott Smith and Bon Iver certainly led the way with my musical experiments when making the album.”

Releases 30th October

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released October 30, 2015

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Chris Cleverley Birmingham, UK

Chris Cleverley was born under a solstice moon, in an aura of honeysuckle mysticism. He is among a new wave of pioneering artists carving an uncharted path through the UK acoustic landscape. Inspired by the Lo-FI Indie greats Elliott Smith & Sufjan Stevens, his ambient Dream-Folk songwriting pushes the boundaries and shatters the expectations of 21st Century acoustic music. ... more

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